Lecturer : Sound Arts.London College of Communication. University of the Arts. 2021-present
Course Director: B.A. (Hons) Sound Arts.London College of Communication. University of the Arts London. 2016 – 2021
Senior Lecturer: B.A. (Hons) Digital Music and Sound Arts.University of Brighton. 2014-2016
Programme Director B.A. (Hons) Performance Sound.Rose Bruford College of Theatre & Performing Arts. 2013 – 2014
Research Fellow. Kunsthochschule für Medien (KHM) Cologne, Germany. 2012 – 2013
Post-doctoral Research Fellow in Interactive Systems. University of Sussex, Brighton. Motion in Place Project (UKRI funded £434, 345) exploring relationships between human movement and place. 2010 – 2011
Associate Lecturer: B.A. (Hons) Sound Arts and Design. London College of Communication. University of the Arts. 2011
Associate Lecturer: M.A. (Hons) Sound Arts and Design.London College of Communication. University of the Arts. 2010-2011
Guest Lecturer:School of Audio Engineering. London. 2009
consultancy
Welsh Language Development in the Arts. Arts Council of Wales Associate. 2022-ongoing
Immersive Sound and Virtual Reality Panel Discussion. Aesthetica Film Festival. York, 2021
The role of White Academics in developing Decolonised Curricula. London College of Communication Staff Development, 20th July 2020
Public Art Consultancy.Soundlands selection panel Gwynedd, North Wales. Commissioning panel for 2 public sound art works. Panel co-members: Annea Lockwood, Janek Schaefer, Yann Seznec, Guto Roberts. 2015
selected publications
Taylor, J. M. (2021) Towards a Sustainable Sonic Paragogy: Post-Sustainability in Sound Arts
Taylor, j Milo and Estévez Trujillo, Mayra, Fermont, Cedrik and Lee, Irene Eunyoung (2020) Geopolitics of sound. Colonial regimes and acoustic alterities of listening. In: II Encuentro Internacional Red Ecología Acústica México 2020, 9-12 December 2020
Taylor, j Milo (2019) Ears Wide Open: Considerations of Immersive Sound in the Works of Stanley Kubrick. In: 3rd International Conference ‘Music and Sound in Film and New Media’, Lithuanian Academy of Music
Taylor, j Milo (2016) Media Encounters in Dark Ecologies: Soundscapes and Solar-powered Sound Circuits. In: Digital Research in the Humanities and Arts Conference, University of Brighton 4-7 September 2016
Taylor, j Milo and Alves, Carlos and Erkizia, Xabier and Ottavi, Julien and Yaseen, Wajid, (2013) OA#1. Listening and Mapping the Sonic. Plurality and Wayfaring: Writing the OpenSound Project. Journal of Sonic Studies, 4. ISSN 2212–6252
Taylor, j Milo and Brock-Nannestad, G., Specht, D (2013) Emerging from the Noise: Non-Nostalgia, Reactivation and Appropriation. In: The Noise Non-ference Reader. Q-bit, New York, pp. 99-104.
Taylor, j Milo and Brock-Nannested, George and Specht, Dirk (2011) Noisecleaning: Emerging from the Noise. Off Topic 4 ISSN 1867-5948
Taylor, J.M et al (2011) Motion in Place: Sounding Spaces, Movement, Affect and Technologised Mediation. World Forum for Acoustic Ecology
Taylor, J.M. (2010) ImMApp: An Immersive Database of Sound Art. (PhD Thesis) LCC, UAL
Taylor, J.M. (2008) The ImmApp: A Digital Application for Immersive Interaction with Sound Art Archives. CCMR Sense of Sound Post Proceedings. (Computer Music Modelling and Retrieval 2007). Springer Verlag 2008. Germany / Denmark. ISBN: 978-3-540-85034-2
Taylor, J.M. (2008) An Immersive Database of Sound Art: Towards a Minor History. Graduate School of Culture Technology (GSCT) at KAIST, Daejeon, Korea
Taylor, J.M (2008) David Toop’s Laptop Orchestra: A View from the Guitarist’s Chair. Published in Playing With Words: The Spoken Word In Artistic Practice (Ed. Dr Cathy Lane)
Taylor, J.M (2007) Immersion: An Immersive Digital Application for Creative Interaction with Sound Art Archives. ICMC Proceedings. Published by ICMC and Re:New. Denmark. ISBN 0-9713192-5-1
Taylor, J.M (2007) Immersion: An Interactive Archive of Sound Art. Birkbeck College, Chart Yearbook
Taylor, J.M, Cahen, J., Fuchs, B. (2006) Non-Ferrous Prostitution. ev*a 2006. Limerick, Ireland. Pp 227. Gandon Editions. ISBN 0946846 928
selected conferences
GEECT Twin Conference Embracing Diversity in European Film Schools . Amsterdam Jan 23rd-25th and Cologne 6th-8th Mar 2019
Exhibiting Artist and Co-convener.Sound and the Urban Environment. Symposium and Exhibition. Onca Gallery, Brighton. June 2015
Taylor, j Milo, Griel, M. (2010) The Audio-Visual Liturgy: An Animist Refutation between 2 Technologised Bodies @ Building Sound Symposium, South Bank, London
Taylor, j Milo and Adam Asnan Realisation of Cornelius Cardew’s ‘Treatise”. Open Form Festival of Indeterminate Music, Norwegian Academy of Music. Oslo with Christian Wolff. 10th – 13th March 2007 |
Sound and Anthropology Conference. University of St Andrew’s, Scotland. 2006
grants + awards
Rising Star Award 2016. University of Brighton Abstract Music 1968-2018: A Media Archaeology of 50 years of Exploratory Sound Practices (£6,500)
Open Sound: European funded 2-year project Feb 2011- Feb 2013 £120,000 successful application written for Modus Arts. Made in association with 6 partner organisations: Apo33 (FR), NK (DE), Anititesi (IT), Piksel (NO), AudioLab (ES), Granular (PT)
3D Visualisation in the Arts Network Student Award 2007 Shortlist
Pangea Short Film Award 2004. ICA, The Mall, London
Edmonton Social Enterprise Pilot Funding £3000 (2004)
Prince’s Trust Start-up grant for a music retail business £5000 (2001)
qualifications
Ph.D. June 2010 University of the Arts London
Post Graduate Certificate in Academic Practice (PGCERT) 2021
B.A (Hons) Development Studies . University of East Anglia, Norwich 1995
